Federico García Lorca (1898–1936)
artistic themes
- If there is no love, there can only be death
- Life and death
background
- Open about sexuality and politics
- From Andalusia
- Passion for music
- The Residence (Residencia de Estudiantes)
- Theatrical performance
- To bring youth together in cultural intellectual environment
- Musician before writing
- Surrealism 1920s Spain
- Avant-garde movements in Europe after WWI
- Cubism, futurism, dadaism, surrealism: new ways of looking at the world
- Avant-garde movements in Europe after WWI
- Generation of '98
- Generation of '27
- Seville Meeting
- Vincente Aleixandre (Nobel 1977)
- Luis Cernuda
- Homage to Luis de Góngora's 300th anniversary of his death
- 1898 change
- Past and future of Spanish poetry society
- 1929–30: trip to Americas
- New York
- Fantasizes about how nature will one day wreak retribution on the metropolis
- Denounces capitalism
- Manufactures a rhetoric of revolt
- Solidarity with African Americans
- Self Portrait in NYC
- Cuba
- New York
- The Fable and Round of the Three Friends, 1929
- Wrote about his own demise
- Spain's second Republic is proclaimed in 1931
- Director of La Barraca, 1932 - Spain
- Directed many plays by Lope de Vega
- The Left wins the election in 1936
- Lorca signs anti-fascist manifesto
- Franco received help from Fascist Italy and Nazi Germany (Spanish Civil War (1936 – 1939))
- Attacks right for indifference
- Suffering of poor and less fortunate
- Uses literature as protest → The House of Bernarda Alba
- Lorca signs anti-fascist manifesto
- Executed August 18, 1936 without trial
- Potential reasons
- Political beliefs
- Association with Republican ideals
- Social views
- Openly critical of traditional norms
- Personal vendettas
- Personal disputes with individuals in power in Granada (Nationalist-controlled)
- Thought it might be safer there but it had been taken over
- Personal disputes with individuals in power in Granada (Nationalist-controlled)
- Homosexuality
- Political beliefs
- Body still not found
- Potential reasons
- Andalusian writers close to him received prize
- Juan Ramón Jiménez, 1956
- Vincente Aleixandre, 1977
- Exiled from Franco's dictatorship
- Lorca did not have time and wrong time wrong place
- Leader of generation
- Poetry
- Most important playwright in 20th century Spanish-speaking world
relations
- Good friends with Salvador Dalí
- Luis Buñuel, filmmaker
- An Andalusian Dog
- Trying to be provocative
- An Andalusian Dog
- La Argentinita
- Flamenco dancer and singer
works and influences
- Famous in 1920s for poetic work
- Poema del cante jondo (Poems of Deep Song), 1921 – 1931
- Andalusian cultural essence established in poetry
- Intersection of love and death as basic themes of Spanish life and culture (🔗 The Agony of Eros)
- Dichotomy of love and death essential part of cultural works
- Bullfighting
- Liked it due to his obsession with death
- You don't know at what moment you will bear witness to death
- Lament for the Death of Ignacio Sánchez Mejías (1934)
- Liked it due to his obsession with death
- Closely tied to Flamenco
- First to include Romani individuals in plays and poems
- Romancero gitano (Gypsy Ballads)
- Defend them against Spanish cruelty
- Stereotypes: stealing babies
- Expressed real problems
- Romancero gitano (Gypsy Ballads)
- Romani linked to development of music
- Flamenco music
- Created by minorities who met in the suburbs
- Flamenco music
- Defender of folk music
- Cafés cantantes
- Where Flamenco could meet people of all classes
from poet to playwright
- Decides to focus on theater when Spain's second Republic is proclaimed in 1931
- Write about "the topics and issues people are afraid to address" (1934)
- Goal: to expose moral ills of Spain